OTR60060 - Orchestra Tax Relief: eligible expenditure: UK expenditure

The amount of Orchestra Tax Relief (OTR) to which an orchestral production company is entitled is determinedÌýby the amount of core expenditure which is also UK expenditure.Ìý

UK expenditure is defined as: ‘expenditure on goods and services which are used or consumed in the United Kingdomâ€�.Ìý

The nationality of those providing the goods and services has no bearing on whether the expenditure qualifies as UK expenditure. The ‘used or consumedâ€� test does not focus on the supplier of goods and services but instead concentrates on the recipient or customer as the means of determiningÌýUK expenditure.Ìý

In order toÌýdetermineÌýwhether an item of expenditure incurred in relation to aÌýconcert or concert series should be treated as UK expenditure, it is necessary to establish:Ìý

  • the nature of the specific goods or services in question; andÌý

  • the place where the recipient uses or consumes those goods and services.Ìý


RehearsalsÌý

HMRC will consider expenditure on rehearsals held in the UK to be UK expenditure regardless of where the concert or concert series itself is held.Ìý

For example, the cost of hiring a venue in the UK to hold rehearsals for a concert series which will be performed wholly overseasÌýis UK expenditure.


Musiciansâ€� feesÌý

Fees paid to musicians are based on where their services are performed, not where the musician is resident for tax purposes. ThereforeÌýfees paid for rehearsals in the UK will qualify but fees paid for rehearsals abroad will not.Ìý

If rehearsalsÌýtake place partly in theÌýUK and partly overseas, the fees paid to musicians should beÌýapportioned on a just and reasonable basis. For example, it would be reasonable to multiply the fee for all rehearsals byÌýÌý

the number of rehearsals heldÌýin the UKÌý÷ the total number of rehearsals forÌýthe concert seriesÌý

to give a fee based on the proportion of UK rehearsals. Apportionment could also be done on a time basis â€� days spent rehearsing in the UK versus days spent rehearsing overseas, for instance.Ìý

For administrative ease,Ìýthe combined total of the feesÌýpaid to all musicians for the concert series can be apportioned using the same basis, rather than calculating the proportionÌýfor each musician individually and adding them together.ÌýHowever, this should only be done if the proportion does not substantially differÌýbetween musicians.Ìý

Note that musicians� fees paid for performances relate to the running phase of the production and are not core expenditure, regardless of whether the musicians� services are used or consumed in the UK (see OTR60030).


Travel costsÌý

Travel expenses qualify if part of the journey takes place in the UK. Therefore, they will qualify if the travel is:Ìý

  • wholly withinÌýthe UKÌý

  • from the UK to a destination abroadÌý

  • to the UK from a destination abroadÌý

Expenses for travel between destinations outside of the UK will not qualify.Ìý

If a journey is in two legs, only the leg to or from the UK will qualify.ÌýFor example, if the journey consists of a flight from Birmingham to Paris, a stopover in Paris, then an onwards flight to Rome, only the leg from Birmingham to Paris is UK expenditure.Ìý

If the journey has been paid for as a single trip, the cost should be apportioned on a just and reasonable basis.Ìý

Travel costs includes both tickets for musicians and other crew and the cost of freight.Ìý

ATA Carnet costsÌýare allowable.


Accommodation and living expensesÌý

These kinds of costs are allowable if the musicians and crew are staying somewhere in the UK, but not if they are staying somewhere abroad.


Rights paymentsÌýand commission feesÌý

These types of costs should be apportioned based on where the music is performed, on a just and reasonable basis. For example, apportion could be made by reference to the numberÌýof concerts in each location. If the division is between UK rehearsals and shows overseas, apportionment on a time basisÌýmay also be reasonable.