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• Export bar placed on portrait to allow time for a UK institution to acquire the work
• Portrait depicts two cavalry officers who are thought to have fought at the Battle of the Somme

A painting by Philip de L谩szl贸 of two Indian soldiers who served in the First World War is at risk of leaving the UK unless a domestic buyer can be found.

The portrait, valued at 拢650,000, depicts the cavalry officers Risaldar Jagat Singh and Risaldar Man Singh. The pair were junior troop commanders in the British Indian Army鈥檚 Expeditionary Force who served at the Battle of the Somme.

The soldiers sat for the artist in London two months before being sent to France to fight in the trenches. The painting is extremely rare in depicting active Indian participants in the First World War.

The painting is a fine example of a portrait by one of the most renowned artists of the twentieth century and captures an important moment in British history as soldiers from across the Empire came to fight in Europe.

The painting appears to have been created for de L谩szl贸鈥檚 own collection and it remained in his studio until he died in 1937.

Arts and Heritage Minister Lord Parkinson of Whitley Bay said:

鈥� This wonderful and sensitive portrait captures an important moment in our history as soldiers were drawn from across the globe to help fight in the trenches of the First World War.

鈥� I hope this magnificent painting can remain in the UK to help tell the story of those brave soldiers and the contribution they and so many others made to Allied victory.鈥�

The Minister鈥檚 decision follows the advice of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest.

Committee Member Peter Barber said:

鈥� Philip de L谩szl贸 was one of Britain鈥檚 most distinguished society portrait painters of the early twentieth century.聽 But this sensitive portrait鈥� offers an exceptionally rare glimpse not of maharajahs or generals but of two 鈥榦rdinary鈥� middle-ranking Sikh soldiers about to depart for the horrors of the Battle of the Somme. The enormous contribution made by them and millions of other Indians to Britain鈥檚 war effort between 1914 and 1918 has until recently been largely overlooked and the life stories of de L谩szl贸鈥檚 sitters remain to be uncovered. Yet numerous descendants of Indian soldiers now live in Britain, rendering the portrait 鈥楤ritish鈥� at several, increasingly significant, levels.

鈥� The portrait also raises more general questions of personal and externally perceived 鈥楤ritish鈥� identity. De L谩szl贸 could well have seen parallels between the position of these outsiders loyally serving their imperial master and his own as a humbly-born Hungarian Jew who had reinvented himself as a patriotic member of British high society. Like the Indians serving in the British forces, he too faced discrimination in face of growing public xenophobia.聽 Within months of creating this portrait he was to be interned for over a year as a suspected foreign agent and to suffer a nervous breakdown after having been, sadistically, refused permission to paint.

鈥� This perceptive and deeply personal painting, exceptional in de Lazlo鈥檚 oeuvre, speaks at several levels to the British experience, both positive and less positive, and should remain in this country to be viewed, studied - and enjoyed.鈥�

The committee made its recommendation on the basis of the third Waverley criterion for its outstanding significance to the study of the Indian contribution to war effort and the individuals involved.

The decision on the export licence application for the painting will be deferred for a period ending on 13 July 2023. At the end of the first deferral period owners will have a consideration period of 15 Business Days to consider any offer(s) to purchase the painting at the recommended price of 拢650,000 (plus VAT of 拢130,000 which can be reclaimed by an eligible institution).The second deferral period will commence following the signing of an Option Agreement and will last for three months

ENDS

Notes to editors:

1. Lord Parkinson discussed the Waverley criteria in a speech to mark their 70th anniversary, using the opportunity to invite thoughts on the way they work. His speech can be found on 188体育
2. Organisations or individuals interested in purchasing the painting should contact the RCEWA on 020 7268 0534.
3. Details of the painting are as follows: Philip Alexius de L谩szl贸 (1869-1937). Risaldar Jagat Singh and Risaldar Man Singh, 1916. Oil on board. 90.2 x 69.9 cm (35 陆 x 27 陆 in). Inscribed lower right: P. A. de L谩szl贸 / 1916. May 1
4. Provenance: The Artist; Thence by descent to Patrick de L谩szl贸; Private collection, UK, acquired c. 1975
5. The Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest is an independent body, serviced by Arts Council England (ACE), which advises the Secretary of State for Digital, Culture, Media and Sport on whether a cultural object, intended for export, is of national importance under specified criteria.
6. Arts Council England is the national development agency for creativity and culture. Its strategic vision in 鈥楲et鈥檚 Create鈥� is that, by 2030, England should be a country in which the creativity of everyone is valued and given the chance to flourish and where everyone has access to a remarkable range of high-quality cultural experiences. ACE invests public money from the Government and the National Lottery to support the sector and deliver the vision. Following the Covid-19 pandemic, ACE developed a 拢160 million Emergency Response Package, with nearly 90 per cent coming from the National Lottery, for organisations and individuals needing support. It is also one of the bodies administering the Government鈥檚 unprecedented 拢1.5聽billion Culture Recovery Fund.
7. Offers from public bodies for less than the recommended price through the private treaty sale arrangements, where appropriate, may also be considered by the Minister. Such purchases frequently offer substantial financial benefit to a public institution wishing to acquire the item.